Override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.Įasily crop the frame size and trim the in and out points of a clip or sequence.Īutomatically encode a numbered sequence of still images as a single video clip or convert any source file into a still image sequence.Īdobe Flash Professional cue points from metadataĬreate FLV and F4V clips from Adobe Flash® Professional software with XMP cue points, which can be automatically read from the source, imported from an XML file, or manually entered in the Export Settings dialog box. Preserve metadata in encoded outputs to make production more efficient and enhance usability, or clear metadata before distribution to protect confidential production data. Each watch folder can be set to encode to multiple formats. Automatically encode files arriving in the folder to a format you specify. Set Adobe Media Encoder to watch a folder. Streamline your encoding workflow by automatically matching encoding settings to those of the original Adobe Premiere® Pro source sequence or Adobe After Effects® composition.ĭrag and drop sequences from Adobe Premiere Pro and compositions from After Effects directly into Adobe Media Encoder, which can then encode them immediately. This is particularly important with 4K and 5K workflows that normally tax your system. Adobe Media Encoder transcodes files in the background, freeing your system for other tasks. Quickly and easily encode video by using presets that help ensure your video looks great on popular devices, platforms, and formats, including Android™ and iOS, You-Tube, Vimeo, HDTV, and more. Import your ARRIRAW, 5K RED EPIC®, and RED Scarlet-X footage directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats. Use Watch Folders to quickly encode video from a single source to multiple output formats.ĪRRIRAW, RED EPIC, and RED Scarlet-X support Customize, set, and organize your favorite presets in the Preset Browser for fast export and batch encoding in the background. Quickly and easily output your work for virtually any video or device format. Organize presets by category, set favorites, and customize your most frequently used encoding presets.įast, sure output to virtually any screen Eventually VP9 encoding will be multithreaded and your CPU will be put to full use, and I really hope Google manages to do a lot more optimizations because it's pretty much unusable in its current state.Access commonly used settings immediately using the Preset Browser. On Windows, you could run multiple copies of Media Encoder. It won't be any faster, but you can encode several movies at once in different command shells, so hopefully that'll make better use of your CPU. Unless you have a good reason, you'll probably want to use VP8 instead.īecause VP9 isn't multithreaded yet, you might want to try using FFmpeg. I'd suggest encoding a 1 second clip to get an idea of what you're in store for. So it's not actually hung, it just looks like it is. But then at that point it starts the actual VP9 encoding which will take much, much longer. So when you do 2-pass encoding, the first pass is pretty fast. It still isn't multi-threaded, for example. Google is working on speeding it up, but they still have a long way to go. What's happening here is you're using VP9, which is very slow. (After getting some more details over email…)
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